The 2026 Academy Awards have officially wrapped, and weirdly enough, nobody saw this specific flavor of cinematic chaos coming. If you had told us a few years ago that a socio-political action dramedy would sweep the Oscars, we probably would have laughed you right out of the Dolby Theatre. And yet, “One Battle After Another” took the top honor.
Warner Bros. completely dominated the night, tying a historic record with 11 total wins across their slate. But the absolute centerpiece of the evening was undoubtedly director Paul Thomas Anderson’s sweeping epic.
Against all odds, “One Battle After Another” has officially won best picture. It capped off an intense, dominant, and highly controversial awards season.
Winning best picture is never easy, but “One Battle After Another” fought an uphill battle to get to that podium. The film didn’t just walk away with the top prize; it racked up an astounding six Oscars overall. Paul Thomas Anderson finally got his deeply deserved flowers, taking home the trophies for both Best Director and Best Adapted Screenplay.
The movie also made Academy history by winning the first-ever Oscar for Best Casting – a category we have been begging the Academy to include for literal decades. And in classic Hollywood fashion, Sean Penn won Best Supporting Actor and didn’t even bother to show up to accept it. Typical.
But you can’t talk about this movie without talking about the massive cultural footprint it left behind. Plus it encountered some heavy criticism along the way.
Let’s get into the messy stuff. The film follows Teyana Taylor’s Perfidia Beverly Hills and Leonardo DiCaprio’s Bob Ferguson, two members of a far-left revolutionary group known as the French 75. The sequence where they raid a military-controlled encampment to free prisoners is easily one of the most stressful, brilliantly shot action set pieces of the decade.
However, the film drew heavy fire for its racial politics, specifically how it handled Black female representation. Perfidia eventually betrays her revolutionary group and abandons Bob and their daughter, Willa. Backstage at the Oscars, Anderson was asked point-blank about this controversy.
Instead of dodging the question, Anderson leaned into it. He bluntly stated that he always intended to make something “complicated” rather than purely “heroic.” He explained that Perfidia was dealing with severe postpartum depression and deeply unresolved personal trauma. It’s an uncomfortable and emotional take, but it forces the audience to address flawed characters battling in a very broken world. Ultimately, it’s Willa who continues the fight against evil, which is incredibly poignant.
Beyond Anderson’s massive victory, the 98th Academy Awards delivered some truly historic, tear-jerking moments. Ryan Coogler’s Jim Crow-era vampire film, “Sinners,” was the other massive Warner Bros. heavyweight in the room. Michael B. Jordan finally took home Best Actor for his visceral performance, while Autumn Durald Arkapaw shattered the glass ceiling by becoming the first female director of photography to win Best Cinematography. Nice! Coogler himself also won his very first Oscar, a moment that had the entire room on its feet.
Over in the Best Actress category, Jessie Buckley took the gold for her heartbreaking turn as Agnes Shakespeare in “Hamnet.” Amy Madigan snagged Best Supporting Actress for the chilling horror-thriller “Weapons”
But the night wasn’t entirely celebratory. There wasn’t a dry eye in the house when Billy Crystal took the stage to pay a devastatingly beautiful tribute to Rob and Michele Reiner, who were tragically killed late last year. It was a heavy, sobering moment that grounded the glitz and glamour in profound human loss.
Elsewhere, Netflix’s absolute juggernaut “KPop Demon Hunters” took home Best Animated Feature, while also securing Best Song for the absolute banger “Golden.” Guillermo del Toro’s wildly ambitious “Frankenstein” scooped up three well-deserved technical awards for Costume Design, Makeup and Hairstyling, and Production Design.
Joachim Trier’s “Sentimental Value” won Best International Film, delivering a moving speech quoting James Baldwin: “All adults are responsible for all children.” The chilling “Mr. Nobody Against Putin” took Best Documentary, while “F1” predictably won Best Sound. Finally, “Avatar: Fire and Ash” was the lone blockbuster to scrape up a win, predictably taking home Best Visual Effects.
What a wild, exhausting, and beautiful year for movies. “One Battle After Another” is going to be debated for the next twenty years, and that is exactly what cinema is supposed to do.
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