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Sands of time: The most iconic films set in the desert
Columbia Pictures

Sands of time: The most iconic films set in the desert

The desert is a landscape that filmmakers have used even before the advent of Westerns, I reckon, as a way for directors to convey their protagonists' emotions. From the hazy, parched and barren morals of Lawrence of Arabia to the sunny, heroic battles of John Ford, these landscapes can say more than words ever could. Like the ocean or the mountains, the desert can become a part of these characters and they, coincidentally, can become a part of the desert. So get on your camel and let's ride through cinema's most wonderful deserts.

 
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Lawrence of Arabia (1962)

Lawrence of Arabia (1962)
Columbia Pictures

It's the first movie you think of when you think of "desert movie" and the last movie you think of when you think of "desert island movie." Lawrence of Arabia turned the desert into a deserted quicksand for men like Lawrence, who believe they can shape the landscape to their whims but are sunken by their own greed. Filmed in 70mm Panavision, the scope of the desert is awe-inspiring and the shots of camels sauntering through a mirage breathtaking, but like most desert movies, this is about a man who tries to have it all but ends up losing himself.

 
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Shane (1953)

Shane (1953)
Paramount Pictures

You've seen the narrative before: a man escapes a life of violence only to be drawn back in for one last ride. It's Liam Neeson in the desert. But Shane is a more elegiac version of that story, with heartwarming moments between the outlaw and the boy, and gorgeous cinematography that makes you want to actually visit the desert. 

 
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Stagecoach (1939)

Stagecoach (1939)
United Artists

It's the movie that made deserts a venerable backdrop in cinema. In Stagecoach, John Ford created the first monument in Monument Valley. Establishing the rules of the Western, which are that there are no rules, a sheriff must save the day, a bad guy must lose a shootout and the desert must become a playground for violence, Ford gave us the first modern Western and a dang good one at that. 

 
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The Searchers (1956)

The Searchers (1956)
The Criterion Collection

We're sticking on the John Ford train with his greatest film, The Searchers. The greatest Western ever made, this one sees a sheriff caught between the doorway of modern civilization and the Wild West, just before Sergio Leone rode into town.

 
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There Will Be Blood (2007)

There Will Be Blood (2007)
Miramax Films

Daniel Day Lewis drinks your milkshake and chews the entire scenery in There Will Be Blood. A movie set in the desert, it follows an oilman who strikes gold but loses his mind in the process. Along the way, there's tremendous acting, directing, deserts and as this movie promises, blood.

 
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The Fall Guy (2024)

The Fall Guy (2024)
Universal Pictures

It's official, Ryan Gosling has hit the top of his career. With performances that are silly, funny, quotable and deep and thoughtful as well, Gosling has made Kendolls great again. His performance as a stuntman getting caught up in a conspiracy is "sublime!" 

 
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Thelma and Louise (1991)

Thelma and Louise (1991)
MGM

The girls just want to have fun in Thelma and Louise. Taking a road trip that leads to cool deserts, car chases and Brad Pitt's abs, the movie takes turns that are almost always exciting.

 
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Wake in Fright (1971)

Wake in Fright (1971)
United Artists

You may not have heard of this film, but it is a doozyy! When a man wanders into a desert town, he finds no water and only beer, leading to all sorts of lunacy. Like a hangover that never ends, Wake in Fright is perpetually unsettling. 

 
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Walkabout (1971)

Walkabout (1971)
The Criterion Collection

Another movie with a crazy premise. Walkabout sees a father take his two young children to the desert where he eventually puts a bullet in his head. What follows is strangely beautiful and enigmatically haunting. A contrast between the rugged poetry of the desert and the increasing mundanity of city life, this Walkabout stays with you long after the credits roll. 

 
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The Good, the Bad and the Ugly (1966)

The Good, the Bad and the Ugly (1966)
United Artists

You just ain't making a list of the best desert movies without Clint Eastwood, I reckon. The actor's greatest film is The Good, the Bad and the Ugly, which takes place during the Civil War. Complete with stylish violence, great acting, immaculate cinematography and at least four plates of Spaghetti Western, this is the genre at its most operatic.

 
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The Passenger (1975)

The Passenger (1975)
MGM

Heeere's Jack Nicholson, lost in a desert more terrifying than the Overlook Hotel. In The Passenger, he may not go out with an axe, but he goes out in an even scarier way: bored. As a journalist wanders through the desert, feeling a disconnect to his surroundings, The Passenger becomes a languorously lucid look at the director's thoughts on his current society.

 
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Nausicca of the Valley of the Wind (1984)

Nausicca of the Valley of the Wind (1984)
Studio Ghibli

Hayao Miyazaki gives his heroine a Luke Skywalker-like journey in a single film and somehow, it doesn't feel rushed. The movie is perfection. The tale of a girl who saves the desert from angry creatures, it breathes with lyrical images and profound insights on nature. 

 
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Gallipoli (1981)

Gallipoli (1981)
The Criterion Collection

There have been wars in the desert since the start of civilization and not coincidentally, wars on our screens since the start of movies. What sets Peter Weir's movie apart is how he frames it through the lens of best friends. Filmed in natural light, Gallipoli sees best friends race through the war with patriotic smiles until they reach the fatal finish line--a devastating moment frozen in my mind. 

 
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Picnic at Hanging Rock (1975)

Picnic at Hanging Rock (1975)
The Criterion Collection

More Peter Weir! The director could film the desert better than anyone except maybe David Lean, who kicked off our list with Lawrence of Arabia. In Picnic at Hanging Rock, he delivers a mystery about school girls gone missing that occasionally looks like a Renoir painting come to life.

 
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Mad Max: Fury Road (2015)

Mad Max: Fury Road (2015)
The Criterion Collection

Did you really think we would leave Mad Max: Fury Road off our list? The car chase in this movie makes Fast and Furious look like Driving Miss Daisy. It's insane cinema in the desert, emphasis on insane. 

 
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Butch Cassidy and the Sundance Kid (1969)

Butch Cassidy and the Sundance Kid (1969)
The Criterion Collection

A bromance set in the Wild West, Butch Cassidy and the Sundance Kid is so much fun you might forget you are watching a movie with actual stakes. It's all fun and games until that final shootout, and even then, it's all fun and games in this movie.

 
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No Country for Old Men (2007)

No Country for Old Men (2007)
Miramax Films

AARP readers, beware: this is No Country for Old Men. A savage Western about crimes in the desert, this is no place for an old sheriff, but he may be the only person who can stop the wretched assassin. In moments of bleak, hardscrabble poetry, the Coen Brothers find their cinematic mark.

 
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Once Upon a Time in the West (1968)

Once Upon a Time in the West (1968)
Paramount Pictures

An elegy for the Western, this movie is like an opera on the desert stage. When a harmonica toting hero seeks revenge on the railroad business, things go off the rails in a small Western town, but Sergio Leone always keeps things chugging smoothly along. With symphonic cinematography and harmonious storytelling, this is a Western opera that remains magnificent.

 
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Unforgiven (1992)

Unforgiven (1992)
The Criterion Colleciton

Don't these bad guys ever learn anything? Maybe don't mess with Clint Eastwood and definitely don't mess with his friends, he'll put a bullet in your head. The bad guys don't listen in Unforgiven, a Western set in the desert that ends with Eastwood doing his cinematic thing. 

 
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Amarcord (1973)

Amarcord (1973)
The Criterion Collection

This movie isn't set in the desert, per se, but there are scenes in the countryside and at the beach that can somewhat resemble the desert. It's just an excellent movie. That's why the film is on here. 

Asher Luberto

Asher Luberto is a film critic and entertainment writer for L.A. Weekly and The Village Voice. His writing has appeared in NBC, FOX, MSN, Yahoo, Purewow, The Playlist, The Wrap and Los Angeles Review of Books.

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