Marion Bartoli has gotten the “weirdo” label for too long; ever consider that she’s one of the normal ones?
In the hours and days following Marion Bartoli’s maiden Grand Slam win, pundits and commentators have been hard at work spinning the wheel of adjectives (if not euphemisms) to describe the Frenchwoman. “Quirky.” “Eccentric.” “Unique.” All of which are ways of dancing around the word one really wants to use when opining on the veteran top tenner: “weird.”
Compared to her WTA colleagues, it’s true: Marion Bartoli is weird. While her two-handed groundstrokes set her apart from the rest on a fundamental level, Bartoli has made a career of exaggerating the sport’s fundamentals. She takes dramatic practice cuts before kangaroo jumping her way into a widely open-stance return position. She winds up to serve in a hitch-filled motion that looks more like a manual flip book of what a serve is supposed to look like. She is very aware of her surroundings, acknowledging cheering fans with